Not in Spaces, But in StillsIntersection of disregarded, under-constructed and discontinued built spaces with a tranquilized
and fragmented graphic-medium.
and fragmented graphic-medium.
The focus of this set is on looking at frozen-depths and spaces that extend beyond how they are perceived in a real physical sense, than how they can be seen and analysed in a much more immersive state of motionless stills. The most one can engage with the emptiness/fullness of a space is 'not' when they are present in the space itself, where numerous factors like time and space control the movements and the entire experience is apprehended as a whole, 'but' when their mental make-up is projected to detailed fragmented outcome of a certain specific time-capturing instrument, where an enormous significance is given to each and every detail that makes a representation of that peculiar time-space composition. This latter way of looking at physical spaces, in another words - a crossway perspective, connects more with an individual and creates a strong relationship that interconnects diverse memories and past experiences with the current frenzy and unbalanced perception of spaces or urban spaces at an exclusive level. This, already known but unique, perspective of spaces shakes a dynamic approach towards any used and unused architecture, besides expanding the ever-unexplored medium of freezing time in a frame.
